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Seminar: Pranks and Self-Censorship: Duchamp, Dada, and the 'Image Withheld’
 
 
Date: 1 March 2021 
 
American Studies, School of Modern Languages and Cultures invites you to the seminar:

Pranks and Self-Censorship: Duchamp, Dada, and the 'Image Withheld’

Dr Sarah Archino, Associate Professor of Art History
Furman University

Date: 1 March 2021
 
Time: 4:30-6:00 pm
Zoom: https://hku.zoom.us/j/92333450296
Meeting ID: 923 3345 0296

One of the more infamous examples of censorship in 1910s New York was the suppression of Marcel Duchamp’s Fountain, which was excluded from the jury-less Society of Independent Artists Exhibition in 1917 – becoming an episode of deliberate and critical erasure that played out in newspapers and little magazines of the era. Yet, Duchamp was not alone in his devising of (often humorous) activities that both revealed and defied censorship. The pages of art publications such as The Ridgefield Gazook (1915), The Soil (1916-17), and The Little Review (1914-29) are filled with deliberately withheld images, suggesting absence operated as a method of anti-authoritarian resistance. By refusing to provide an image that might be suppressed, these publications subverted official censors while, likewise, conjuring and defying imagined censors. Here, publishers, authors, and artists realized methods of communication grounded in denial, thus mobilizing a strategy of withholding as a means of protest. Through the lens of a contextual history, this talk traces the commonalities among the publications, their connections with anarchism, and the many and varied ways that the ‘image withheld’ functioned as a tool of resistance to official control and governance.

Dr Sarah Archino is an Associate Professor of Art History at Furman University (South Carolina, USA). Dr Archino specializes in early twentieth-century American art, with a focus on New York. Her scholarship weaves together the avant-garde circles around Robert Henri, Alfred Stieglitz, and Walter Arensberg with a particular interest in the emergence of Dadaism in New York. Her writing has appeared in journals such as American Art and Sculpture Magazine, exhibition catalogues such as Theresa Bernstein: A Century in Art, and edited volumes such as Utopia: The Avant-Garde, Modernism and (Im)possible Life. She has held fellowships at the INHA in Paris, the Duchamp Research Center in Germany, and the Harry Ransom Center in Austin, Texas.

The talk will be conducted via Zoom: https://hku.zoom.us/j/92333450296
 
 
All are welcome. No registration is required. For enquiries, please contact Ms Lucilla Cheng via luci@hku.hk

 
 
     
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